Bernd Zimmer: On Paper

12 October - 11 November, 2023
  • NYC | 146 West 57th Street

     

    Bernd Zimmer

     

    On Paper

     

     

     

    Upsilon Gallery is pleased to announce ”Bernd Zimmer: On Paper,” the artist’s first solo show with the gallery. Opening on October 12 at 146 West 57th Street, the exhibition will feature a selection of unique works on paper by the artist.

    Nature, largely untouched by man, is the central theme of Bernd Zimmer, who has been working as a painter for more than four decades on motifs such as landscape, vegetation, night sky, weather phenomena, and water. However, he does not strive to depict these motifs as accurately as possible, but rather to formulate them freely in the autonomous painting process,” wrote Dr. René Hirner on the occasion of Bernd’s exhibition “Alles fließt” at Galerie Wolfgang Jahn. Today, the German painter is internationally renowned. In 2020, he realized a long-held dream by mounting STOA169, a permanent installation in Bavaria, Germany featuring a hall of columns designed by over a hundred artists from around the world.

    • Bernd Zimmer, Ast, 2023
      Bernd Zimmer, Ast, 2023
    • Bernd Zimmer, Baum, 1987
      Bernd Zimmer, Baum, 1987
  • “Choosing subject matter to paint is evidently the least of Bernd Zimmer’s worries. No matter how banal the reality may...
    Bernd Zimmer, Im Spiegel, 2012

    “Choosing subject matter to paint is evidently the least of Bernd Zimmer’s worries. No matter how banal the reality may be, Zimmer will make it look as if it’s a hallucination. His neo-Expressionist landscapes all have the feel of imminent catastrophe, as if in every innocent scene there exists some terribly subtle crime, hidden from the pedestrian eye.

  • In Grosser Wasserfall (Large Waterfall), 1980, a rush of light water cascades downward over ragged rocks that hover in midair, threatening to crash out of the picture plane. The spatial relationships between rocks and water are a little irrational, askew; the more we look, the more aware we become of Zimmer’s fantasy. Whatever we might imagine is happening wouldn’t happen in reality quite the way that Zimmer has us see it.

    • Bernd Zimmer, Gran Sasso, 1986
      Bernd Zimmer, Gran Sasso, 1986
    • Bernd Zimmer, Cosmos, 2005
      Bernd Zimmer, Cosmos, 2005
    • Bernd Zimmer, Schwimmendes Licht, 2013
      Bernd Zimmer, Schwimmendes Licht, 2013
    • Bernd Zimmer, Reflex, 2012
      Bernd Zimmer, Reflex, 2012
  • Badende (Nachts) ([Night] Bathers), 1979, in which we see sketchy black figures waist-deep in a dark blue ocean, pushes the...
    Bernd Zimmer, Schwimmendes Licht, 2013

    Badende (Nachts) ([Night] Bathers), 1979, in which we see sketchy black figures waist-deep in a dark blue ocean, pushes the idea of artificial disaster one step further into the realm of the mannered. There is no reason to believe that these bathers are making their way to doom—none except the heavy, somber colors and the lack of orienting detail, which are enough to make us aware of Zimmer’s deliberately paranoid stance.

  • Similarly, in his paintings of bulls, Zimmer has his fun: the positioning of the animals’ heads forcefully recalls Franz Marc’s...
    Bernd Zimmer, Reflex, 2018

    Similarly, in his paintings of bulls, Zimmer has his fun: the positioning of the animals’ heads forcefully recalls Franz Marc’s fantastical horses’ heads, but unlike Marc’s they are just realistic enough to seem physically threatening.

  • Expressionists like Ernst Ludwig Kirchner and Emil Nolde, and Post-Impressionists like van Gogh, could certainly make their innocent subjects as disconcerting as Zimmer and other young neo-Expressionists make theirs; but the concept of displacement or chaos seems far more important to Zimmer and others than does the manifestation of that displacement on the canvas.

    • Bernd Zimmer, Ast, 2023
      Bernd Zimmer, Ast, 2023
    • Bernd Zimmer, Reflex, 2012
      Bernd Zimmer, Reflex, 2012
    • Bernd Zimmer, Baum, 2023
      Bernd Zimmer, Baum, 2023
    • Bernd Zimmer, Reflex, 2022
      Bernd Zimmer, Reflex, 2022
    • Bernd Zimmer, Reflex, 2022
      Bernd Zimmer, Reflex, 2022
    • Bernd Zimmer, Reflex, 2022
      Bernd Zimmer, Reflex, 2022
  • In Artforum (September 1981) Wolfgang Max Faust has written that the then current work of the neo-Expressionists from Berlin is fascinating because it suggests a “yearning to belong” with those who “expressed themselves out of a deep, inescapable need.” Though Bernd Zimmer is an accomplished painter, the idiosyncrasies of his paintings aren’t nearly as interesting as that yearning itself, which seems an artificial burden.”

    • Bernd Zimmer, Schwimmendes Licht, 2013
      Bernd Zimmer, Schwimmendes Licht, 2013
    • Bernd Zimmer, Himmel, 1995
      Bernd Zimmer, Himmel, 1995
    • Bernd Zimmer, Reflex, 2017
      Bernd Zimmer, Reflex, 2017
    • Bernd Zimmer, Marae, 1996
      Bernd Zimmer, Marae, 1996
    • Bernd Zimmer, Cosmos, 1999
      Bernd Zimmer, Cosmos, 1999
    • Bernd Zimmer, Namib, 2000
      Bernd Zimmer, Namib, 2000
    • Bernd Zimmer, Namib, 2000
      Bernd Zimmer, Namib, 2000
    • Bernd Zimmer, Namib, 1999
      Bernd Zimmer, Namib, 1999

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    To inquire about works by Bernd Zimmer, please email us at info@upsilongallery.com.