A Room of Her Own : Works on paper and ceramics by women artists
Current exhibition
Works
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, Anxious Flower , 2022
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Diane Chappalley, My Rose , 2021
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Salomé Wu, Bled, Bled Then Bleed , 2021
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Salomé Wu, Falling Upwards - Lost Lovers , 2021
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Salomé Wu, Formed an Iris - Lost Lovers , 2021
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Salomé Wu, Ignites Them Beautifully - Lost Lovers , 2021
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Salomé Wu, Opened its Mouth - Lost Lovers, 2021
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Salomé Wu, Touched Her Gently - Lost Lovers , 2021
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Salomé Wu, With a Red Sea on His Back - Lost Lovers , 2021
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K Blick, Dinosaurs I, 2024
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K Blick, Dinosaurs II , 2022
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K Blick, Foxy Tears , 2024
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K Blick, Keep me Awake , 2024
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K Blick, Nine Tears of Nine Tales , 2024
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K Blick, Trace of Tears I , 2024
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K Blick, Trace of Tears II , 2024
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Hannah Lim, Glowing Crane Snuff Bottle , 2024
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Hannah Lim, Jade Orchid Snuff Bottle , 2024
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Hannah Lim, What's Caught The Tiger's Eye? , 2022
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Natacha Ivanova, Geisha , 2008
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Natacha Ivanova, Geisha , 2008
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Natacha Ivanova, Geisha , 2008
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Natacha Ivanova, Geisha , 2008
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Nina Khemchyan, No Title , 2019
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Ruby Bateman, Blue Echoes and Portals , 2024
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Ruby Bateman, The mountains started to grow inside of them , 2021
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Laura Grinberga, Better Days , 2024
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Laura Grinberga, Hopeless Hope , 2024
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Laura Grinberga, Sunny Days , 2024
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Laura Grinberga, The Last Resort , 2024
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Cathy Tabbakh, Azur , 2023
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Cathy Tabbakh, Les Marguerites Aiment Le Violet , 2023
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Cathy Tabbakh, Les Orchidées Bleues , 2023
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Cathy Tabbakh, Lumière Intérieure , 2024
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Cathy Tabbakh, Vibrant Stillness , 2024
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Cathy Tabbakh, We were in a vortex of red, 2024
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Leila Bartell, Family Portrait , 2024
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Leila Bartell, In The Presence of Love , 2024
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Leila Bartell, Mother and Son, 2024
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Evie Mae Jacobs, Cherry Leather (On a Crisp Day) , 2021
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Evie Mae Jacobs, Everything is Electric , 2021
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Evie Mae Jacobs, Falling Upwards , 2021
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Evie Mae Jacobs, Lost Body , 2021
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Evie Mae Jacobs, Tumbling, Jumbling, 2021
Installation Views
Press release
A Room of Her Own
20 November - 18 January
Festive Drinks: Friday, November 29th, 4 - 8 PM
Upsilon Gallery, London
Upsilon Gallery London is pleased to present A Room of Her Own, a group exhibition featuring works on paper and ceramics by emerging and mid-career women artists, including Francine Tint, Xinyan Zhang, Diane Chappalley, Leila Bartell, Cathy Tabbakh, Natacha Ivanova, Evie Mae Jacobs, Ruby Bateman, Nina Khemchyan, K Blick, Hannah Lim and Laura Grinberga. The exhibition will run from November 20th to January 18th.
A Room of Her Own takes inspiration from Virginia Woolf's 1929 essay A Room of One’s Own, which powerfully asserts the need for women to have space—both physical and creative—to nurture their artistic expression. Echoing Woolf’s concept, this exhibition honours that space of one’s mind and freedom, emphasising the nature of drawings and ceramics as media that allow for immediacy, delicacy, and an unfiltered emotional resonance.
By showcasing only works on paper and ceramics, the exhibition highlights the raw, tactile nature of these materials, embracing spontaneous gestures and profound emotions. The show brings together a range of approaches that celebrate women’s artistic autonomy, exploring both emotional and cultural themes. From Francine Tint’s abstract expressionist works on paper to Cathy Tabbakh’s fusion of figuration and abstraction, each artist contributes to this diverse conversation. Diane Chappalley’s Anxious Flowers, a delicate ceramic installation arranged like a constellation across the gallery wall, and Salomé Wu’s spiritually charged drawings evoke feelings of beauty, fragility, and transcendence. Meanwhile, Hannah Lim and Xinyan Zhang, both of Chinese heritage, add a cultural dimension: Lim reinterprets traditional Chinoiserie with a contemporary approach, while Zhang blends Chinese painting techniques with Western post-expressionism, creating a dialogue that bridges Eastern and Western aesthetics.
Curated within the gallery's lower ground floor room, the setting of the show feels intimate and warm, capturing the essence of the current season, creating an artistic dialogue that invites personal connection and introspection from visitors.