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Ever the innovator, Mariscotti’s new pastel drawings on paper are not so much a departure, but an organic evolvement from his earliest precepts of color’s most elemental language. Appropriating and repurposing his own precisionist lines and rectangles from former series of paintings, he designates force lines, tones without verism, forms, and colors that are not purely descriptive; they are mostly suggestive. In their surface decoration, decomposed shapes are disposed on a dark background indicating a strategy that pragmatically conjoins his own formal and chromatic research.
Acknowledging his artistic forebearers of early Modern practice, theorists and practitioners of Italian Futurism and French Orphism as logical examples, Mariscotti unapologetically foregoes the nod to the industrial and man-made and embraces the purely sensory. In these dynamic works on paper, he introduces an entirely new dimension into our viewing experience. They effectively express an advanced fascination with the complete and total interrelationship of color, movement, time and space—efforts that produce a body of work that invites us to experience it as a new type of reality, fluid visual form that Mariscotti so masterfully conducts.
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Landscapes
"Tormenta en el valle" (1980s) -
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Osvaldo Mariscotti, Untitled NL-I, 2019
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Osvaldo Mariscotti, Untitled NL-II, 2019
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Osvaldo Mariscotti, Untitled NL-III, 2019
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Osvaldo Mariscotti, Untitled NL-IV, 2019
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Osvaldo Mariscotti, Untitled NL-V, 2019
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Osvaldo Mariscotti, Untitled NL-VI, 2019
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Osvaldo Mariscotti, Untitled NL-VII, 2019
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Osvaldo Mariscotti, Untitled NL-VIII, 2019
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Icons
"Untitled 1432" (2012) -
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Osvaldo Mariscotti: Miami Online: Nostalgia
Past viewing_room